Japan's Ichijiku for Violet Magazine

As a Tokyo-based editorial photographer, I’m often drawn to assignments that blend fashion, storytelling, and a strong sense of place. Earlier this year, I had the opportunity to photograph Ichijiku, a luxury sustainable fashion brand based in Tokyo, for the spring issue of Violet Magazine.

Ichijiku, founded by Aaron Mollin, specializes in transforming vintage kimono fabrics into contemporary, wearable pieces. Each garment is unique, repurposed from hand-dyed or handwoven kimono — many of them 50 to 100 years old — and cut into modern silhouettes that honor both the material and its cultural roots. Photographing ethical fashion in Tokyo often means working with brands that value slow processes and careful craftsmanship, and Ichijiku is a perfect example of that ethos.

Luckily, Ichijiku’s founder Aaron Mollin on site during the assignment. With Aaron on site, I was able to learn in depth about Ichijiku’s goals and ambitions. More, I was excited to be able to make some portraits of the driving force behind the brand. It was important to me that the portrait work felt as intentional and rooted as the clothing itself. Aaron’s approach to design is deeply personal — his understanding of the materials, their origins, and their histories brings a rare depth to Ichijiku.

When photographing fashion and craftsmanship in Japan, I aim to highlight not just the aesthetics, but the choices behind them. In this case, that meant focusing on details: the texture of antique silk, the character of visible mending, the precise tailoring that turns traditional garments into something contemporary.

Shooting in the Ichijiku showroom allowed me to work closely with the garments and take my time — a luxury in editorial photography that mirrors the brand’s own commitment to slow fashion. Whether photographing in Tokyo or elsewhere, I’ve found that the most compelling fashion stories often come from brands like Ichijiku — where history, sustainability, and modern design align.

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If you’re a brand looking for a Tokyo-based photographer with experience in sustainable fashion and founder portraiture, I’d love to hear from you. If you’re simply curious about the ways fashion can carry culture forward, I highly recommend learning more about what Aaron Mollin and his team are creating at Ichijiku.

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52 Places To Go | Morioka, Japan Travel Photography

As a travel photographer based in Japan, I was fortunate to be commissioned by The New York Times to document Morioka for their annual “52 Places to Go” list. With the worries of Covid-19 diminishing and international travel finally gathering momentum again, I agreed with Morioka as one of the Times’ selections. It was the right moment to look beyond Japan’s typical destinations—the glittering cities and famous landmarks—and focus instead on quieter places like Morioka, a city that doesn't clamor for attention. Quiet, yes, but no less essential.

Morioka sits in northern Japan, nestled within Iwate Prefecture, a region shaped by rivers, mountains, and long seasons. It’s the kind of place many travelers might bypass on their way to the known—Sendai to the south, Hokkaido to the north. Stepping off the Shinkansen, I felt an immediate shift: a soft rhythm, a town not in a hurry. Compared to the constant rush of Tokyo, where I live, Morioka moved with patience, unfolding at its own pace.

At the heart of the city, the Morioka Castle Ruins remain, their old stone walls partially standing, surrounded by public parks. There’s no grand reconstruction here—just a humble honoring of what once was. Photographing the ruins, I was struck by how subtly the history announces itself. Nothing flashy, nothing forced. Just the stones, moss-covered and weatherworn, holding their shape and story.

Nearby, I walked through neighborhoods lined with preserved wooden buildings, many still housing family-run shops or lived-in homes. These structures bore the touch of age not as decay, but as care—weathered eaves, hand-carved signs, doors that creaked just so. As I photographed, I found myself imagining the people who had passed through these spaces before: shopkeepers, schoolchildren, grandparents, neighbors. It was easy to feel connected.

Beyond the city center, nature wasn’t far. The Kitakami River threads its way through town, and beyond that stretch forests, hills, and seasonal color. Exploring the hillsides around the city, I found a deep stillness, the kind that makes you lower your voice.

For me, the most rewarding part of travel photography is not just capturing what a place looks like, but what it feels like. In Morioka, that meant noticing how people greeted each other on the street, how shops opened slowly in the morning light, how a bowl of soba tells a story that doesn’t need translating. It meant letting go of the rush to “see everything” and instead trusting that the story was already there.

What I found in Morioka was a city calmly rooted, honoring its past without nostalgia and carrying itself into the future without fanfare. There’s no obvious spectacle, no landmark begging for a hashtag. And maybe that’s why it stands apart. As more travelers seek out genuine connection rather than curated spectacle, I hope Morioka finds its way onto more itineraries. It’s a place that asks little of you, but offers much in return. For me, my time in Morioka was a reminder that some of the most meaningful stories begin not with what you expect to see, but with what surprises you when you stop and look around.

Read the full interactive piece on The New York Times here or reach out to commission any editorial/travel assignment you have in Japan or beyond.

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Ghibli Theme Park | Japan Tourism Photographer

For several years, our home in Tokyo was perfectly placed—just a short bike ride from Kichijoji, a lively neighborhood known for its trendy cafes and eclectic shops. I often found myself pedaling toward nearby Inokashira Park Zoo, where my son and I would marvel at the small collection of animals and climb aboard the miniature Shinkansen that delighted twenty kids at a time. But Kichijoji’s greatest treasure lay just across the street: the sprawling municipal park where my son learned to ride his bike and catch a baseball.

All of these formative moments unfolded under the watchful eye of the Ghibli Museum, which sits nestled in that same park. I had photographed the museum many times over the years for both domestic and international publications. Each visit revealed new visual details and inspired fresh creative energy. While I wouldn't call myself a die-hard Ghibli fan, the studio’s imaginative worlds always managed to spark something inside me. So when I was offered the chance to photograph the newly opened Ghibli Park for The New York Times, I couldn’t wait to dive in.

On a clear morning, I set out with my camera in hand, eager to see what awaited beyond Tokyo. As a seasoned Japan assignment photographer, I was especially curious to capture the ways this new park brought Ghibli’s magic to life.

When I arrived, the park’s grounds were true to Ghibli form. The area was tucked into lush greenery and was alive with the whimsical architecture Ghibli is known for. Every corner of the park held a carefully crafted nod to Ghibli’s cinematic universe. From the shifting turrets of Howl’s Moving Castle to the moss-covered forests of Princess Mononoke, each location offered a glimpse into the mind of the Ghibli creators, tailor-made for travelers and culture lovers alike.

Inside Ghibli’s Grand Warehouse, the sense of wonder was immediate and immersive—as if I had stepped straight into the pages of a beloved storybook. The vast space buzzed with quiet awe, its high ceilings sheltering an eclectic patchwork of film sets, whimsical props, and vibrant dioramas. Around every corner, there was something unexpected: a towering airship from Laputa: Castle in the Sky, shadowy alleyways reminiscent of Spirited Away, and an old-school cinema looping Studio Ghibli shorts rarely seen outside Japan. Children darted past in Totoro-themed capes while adults lingered to admire the craftsmanship—the careful weathering of a doorframe, the golden glow of a lantern, the texture of soot sprites clinging to walls. Photographing in this space was both a challenge and a delight; the lighting was dramatic, the perspectives playful, and the stories seemingly endless. It felt less like documenting a theme park and more like recording moments in a dream.

By the time I returned home, my memory cards were full and my spirit even fuller. The experience wasn’t just about taking pictures; it was about exploring the connection between fantasy and reality.

Read the full story about Japan’s new Ghibli Theme Park at The New York Times.

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Veg Out Kyoto | Food Photographer in Japan

Kyoto, with its ancient temples and peaceful gardens, is a city that captures the soul of Japan. But for vegetarians and vegans, navigating Kyoto’s traditional culinary landscape is tricky. Enter Veg Out, a riverside café that's quickly become a haven for plant-based eaters and a delightful surprise for anyone exploring the city’s gastronomic offerings.

Tucked away near Kyoto’s Kamogawa River, Veg Out is more than just a café—it’s a humble retreat. The first thing you’ll notice is its calm atmosphere. The minimalist design, with its warm wooden interiors and large windows, offers both a stunning view and the chance to retreat from Kyoto’s tourist throngs. It’s an inviting space where you can unwind and let the cranes fly by.

At the heart of Veg Out’s menu is the signature Veg Out Plate, a dish that exemplifies the café's dedication to plant-based cuisine. As a food photographer in Japan, I was thrilled to be able to turn my lens on this vibrant plate for Virtuoso, The Magazine. Bursting with a wholesome combination of ingredients sourced from local farm cooperatives, The Veg Out Plate showcases the incredible variety and richness that plant-based food has to offer.

The dish starts with a base of fluffy quinoa, providing a nutritious and satisfying foundation. It's generously topped with an array of roasted seasonal vegetables, which vary depending on the freshest produce available from local farms. The colorful assortment of veggies not only pleases the eye but also ensures a variety of textures and flavors in every bite. Adding to the plate’s appeal are the house-made pickles, offering a tangy contrast that cuts through the richness of the roasted vegetables. Fresh greens add a crisp, refreshing element, and everything is brought together with a drizzle of tangy tahini dressing.

The staff’s passion for their food and the values behind it is palpable. From their biodegradable packaging to efforts to minimize food waste, Veg Out’s commitment to sustainability shines through in every detail. Yet, what sets Veg Out apart is its dedication to fostering a sense of community and promoting sustainable living. The café regularly hosts events like cooking classes, wellness workshops, and environmental talks, creating a space where people can learn, connect, and be inspired.

As veganism and vegetarianism continue to rise globally, Veg Out is at the forefront of this movement in Japan. It reflects a growing awareness of the health benefits of plant-based diets and their positive impact on the environment. By offering delicious and inventive vegan options, Veg Out is making plant-based dining accessible and appealing to all.

Veg Out is more than just a place to eat in Kyoto; it’s a culinary journey that highlights the beauty and potential of plant-based cuisine. Whether you’re a dedicated vegan, a curious foodie, or just someone looking for a peaceful spot to enjoy a meal, Veg Out delivers a solid experience; a blend of delectable food, serene ambiance, and commitment to sustainability make it a gem in Kyoto’s vibrant food scene.

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Phuket | Thailand Travel Photography

As a travel photographer, Phuket, Thailand, has a way of drawing me in with its endless opportunities for capturing the essence of a place. The island blends natural beauty, vibrant culture, and stunning landscapes in a way that feels almost tailor-made for a photographer. It doesn’t matter if I’m just starting my day with the quiet stillness of a beach sunrise or ending it amidst the lively buzz of a night market—there’s always something to photograph, something that speaks to the soul of Southeast Asia.

The energetic diversity in Phuket is incredible. I’ll often find myself bouncing between moments of tranquility and exhilaration. The beaches at dawn, bathed in soft golden light, feel like a world apart—serene and still. In contrast, the markets are a whirlwind of color and motion, alive with the hum of motorbikes and the vibrant displays of fruit, spices, and handcrafted goods. Each scene offers something unique to capture, a new perspective on the pulse of life here.

What I appreciate most is how Phuket never feels one-dimensional. The temples, with their quiet, intricate beauty, offer a peaceful respite from the busy streets. The way the light shifts inside these sacred spaces—soft and shadowed—always provides an opportunity to reflect the island’s spiritual depth. In those moments, it’s easy to lose track of time, just letting the atmosphere guide the shot.

Beyond the beaches, there’s a wildness in Phuket’s landscapes that speaks to a different side of the island. The jungles, thick with greenery, the dramatic cliffs that seem to drop straight into the ocean—there’s a raw beauty here that’s hard to ignore. Sometimes, it’s the simple things that stand out: the silhouette of a palm tree swaying in the wind, or sunlight filtering through the jungle canopy, casting dappled shadows on the ground. These are the moments that remind me of how much the island has to offer if I just slow down and pay attention.

Light in Phuket is a constant companion, shifting through the day and giving each moment its own character. The soft light at sunrise and sunset is perfect for capturing the sweeping vistas and quiet landscapes. But the island’s energy doesn’t stop there—the neon glow of the nightlife and the vibrant atmosphere of the beaches add another layer of color and life to photos. Each shift in light brings with it a new way to see the island.

Phuket invites me to explore, to experiment, and to find new ways to tell its story through my lens. In every corner of this island, I feel like I’m capturing a piece of Thailand. It’s a place that inspires me to keep discovering, to keep creating.

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Farmoon | Kyoto's Best Farm-To-Table Restaurant

Traveling from Tokyo to Kyoto was not just another journey for me; it was a purposeful mission to photograph the exquisite offerings at Farmoon for a piece in Virtuoso, The Magazine that highlights Kyoto's organic farming initiatives. As I approached this culinary gem, nestled within a beautifully converted machiya, I felt an exciting anticipation. The bustling energy of Tokyo faded away, replaced by the serene charm that Kyoto exudes.

Upon entering Farmoon, I was greeted by the inviting aroma of fresh ingredients and the gentle hum of conversation. Chef Masayo Funakoshi was at work, her passion evident in every dish she prepared. Each meal at Farmoon is a reflection of her artistry—an innovative blend of Western and traditional Japanese flavors. As Funakoshi and her staff plated each offering on handmade ceramic tableware, I could see how the commitment to organic farming shine.

As a food photographer in Japan, it was essential for me to capture not only the beauty of the dishes but also the story behind them. I aimed to highlight how Farmoon's menu is deeply connected to the organic farming initiatives taking root in the region. The sunlight streamed through the windows, casting a warm glow over the plates, which allowed me to explore different angles and compositions that would convey the warmth and creativity of the dining experience.

The circular communal table at Farmoon fostered a sense of togetherness. With each click of the shutter, I sought to illustrate the rich narrative of sustainable dining and the dedication of local farmers who contribute to this culinary ecosystem. My goal was to showcase how food photography goes beyond aesthetics; it captures the heart and soul of culinary experiences tied to organic practices. The dishes at Farmoon are not just delicious; they tell a story of community, care, and the rich agricultural heritage of the region.

If you’re looking for captivating food photography that tells a compelling story—whether for a magazine feature or your own culinary project—consider how professional imagery can elevate your brand. It’s about making connections, celebrating culture, and sharing creativity through the lens.

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Japan Travel - Yamaguchi for The New York Times

Yamaguchi City doesn’t clamor for attention the way Tokyo or Osaka do—it speaks in quieter tones. When The New York Times assigned me to photograph the city for the annual 52 Places list, I was thrilled. Unlike Japan’s more famous destinations, Yamaguchi isn’t known for dazzling sights or major tourist draws and that’s why I love it. Its charm lies in the details—the kind you only notice when you slow down.

As a travel photographer in Japan, I’m used to chasing extremes—bright cityscapes or sweeping rural vistas. But Yamaguchi demands something different. It doesn’t overwhelm; it unfolds. Yamaguchji’s beauty isn’t in spectacle but in subtlety, in the way history and daily life quietly coexist.

I felt this rhythm as I moved through the city. The winding paths to Ruriko-ji’s five-story pagoda lead through a landscape where nature and architecture blended. Traditional machiya homes sit alongside modern storefronts, not in stark contrast but in quiet harmony. Yamaguchi isn’t a place of bold juxtapositions—it’s a city of smooth transitions, where nothing feels out of place.

Photographing Yamaguchi required patience. Light and shadow told the story as much as the landmarks themselves—afternoon light filtered through blazing red maples, a temple floor glowed in the evening sun. More than capturing locations, I wanted to photograph the feeling of being there, the unhurried stillness that sets Yamaguchi apart.

Unlike Japan’s more touristy spots, Yamaguchi hasn’t been polished for visitors. It remains itself: a city of everyday moments. Cyclists ride along quiet streets, shopkeepers prepare for the day, temple bells chime in the distance. It doesn’t try to impress, but if you take the time to look, it leaves a lasting impression.

Yamaguchi isn’t necessarily a photographer’s dream in the typical sense. It’s not grandiose, filled with dramatic scenes. Yamaguchi is, however, a contemplative city, where the small moments of history, culture, and nature play together—the kind of beauty you don’t just see but feel. This fact made my time in Yamaguchi an opportunity for me to slow down, reflect on my process instead of just a product, and to enjoy aspects of the job that time doesn’t usually afford.

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I was honored to see my videography featured by New York Times Travel editor Stephen Hiltner, who spoke about why Yamaguchi made this year’s 52 Places to Go list. Check out the short clip about why Yamaguchi was selected for the prestigious list and then read the full 52 Places To Go in 2024.

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