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Andrew Faulk

Tokyo Photographer - Professional commercial, editorial, and portrait photography services in Japan and beyond.
  • Overview
  • Portrait
  • Travel
  • Food
  • Spaces
  • Essays
    • Dad's Army
    • Lalibela Pilgrims
    • Southern Salt
    • Things Left Behind
    • This End of Tokyo
    • Sumo Stables
    • Sierra Nevadas
    • Kyoto Dry Gardens
    • Dear Isamu
  • Info
  • Blog
  • Purchase Prints
Shingo Gokan making a matcha cocktail at SG Tavern

Shingo Gokan & SG Tavern | Tokyo Editorial Photographer

January 05, 2025 in Editorial Photography, Brand Narrative

In April 1865, 19 young samurai from the Satsuma Domain—now Kagoshima Prefecture—embarked on a covert mission to London. At a time when Japan was isolated under the Sakoku policy, overseas travel was forbidden. Yet, these samurai, now known as the Satsuma Students, defied the ban with a singular goal: to absorb the Western knowledge reshaping the world. They would return, carrying with them the tools to spark Japan’s modernization, laying the foundation for a transformative revolution.

I couldn’t help but think of these samurai as I sat with Shingo Gokan at his newly opened SG Tavern. Like the Satsuma Students, Gokan is a bridge between worlds, combining a quiet determination with a passion for exploration and innovation. His journey, too, has involved defying convention and venturing into the unknown in pursuit of something greater.

Gokan’s career began at 18, a formative age to jump behind the bar. Soon after, he set his sights beyond Japan’s borders, traveling to Spain and then New York in 2006 to refine his craft. His breakthrough came in 2012 when he won the Bacardi Legacy Cocktail Competition, cementing his reputation on the global stage and leading to extensive travels across Europe and Asia, deepening his understanding of bartending cultures worldwide.

In 2014, after more than a decade of honing his skills, Gokan opened his first venture in Shanghai—Speak Low, inspired by Prohibition-era speakeasies. The bar was an immediate success, celebrated not just for its concept but for its immersive experience. By 2017, with multiple brands operating in Shanghai and accolades such as International Bartender of the Year at the Tales of the Cocktail Foundation’s Spirited Awards, Gokan had become a cultural force in the industry—a true Culturalpreneur, blending the artistry of mixology with a deep respect for tradition and an unflinching desire to innovate. Ready for his next challenge, he returned to Japan, where his international experiences positioned him not only as a respected professional but also as one of the industry’s leading figures.

While researching his SG Shochu brand in Kagoshima, Gokan became captivated by the Satsuma Students’ story. Inspired, he wondered: what if he could create a space where time-honored traditions and innovative ideas could coexist? This question led to the creation of SG Tavern—a place where culture, history, and creativity converge.

“For Japanese people, the highball means whisky and soda. But for Westerners, it’s more of a style,” Gokan explains. “I wanted to introduce a new take on the highball to Japanese consumers, while also bringing our Japanese spirits to the global market.” To do this, Gokan crafted SG Tavern’s Highball Journey, a menu that follows the Satsuma’s voyage. Take, for example, the Satsuma, a fresh take on the highball that combines Gokan’s own SG Shochu IMO (sweet potato shochu) with sencha green tea directly from Kagoshima.

The drink menu extends beyond the Highball Journey, showcasing a range of signature cocktails. A standout is the Pole Star Martini, a tribute to Seibei Nakagawa, a pivotal figure in the Satsuma Students' mission. This cocktail blends the smoothness of Grey Goose vodka with the tartness of seabuckthorn, accented by passionfruit and finished with a delicate splash of unfiltered beer. Another highlight is Gokan’s menu favorite, the Matcha Sazerac. “Matcha, kinako (soybean flour), and mugwort are common in Japanese sweets, but they’re rare in cocktails,” he explains. For Gokan, these drinks are a tribute to the samurai’s enduring influence on Gokan’s approach to bartending and offer a taste of the world the students themselves sought to understand.

The experience at SG Tavern extends beyond the drinks. In collaboration with Michelin-starred chef Yoshihiro Narisawa, Gokan has curated a menu that merges Japanese culinary traditions with global influences. Narisawa, known for his creative reinterpretations of Japanese ingredients, designed dishes that complement Gokan’s cocktails while adding their own chapter to the Satsuma Students’ story.

For Gokan, SG Tavern is more than just a place to eat and drink—it is a living story that invites guests to reflect on how cultural boundaries are remade, much like the Satsuma Students did when they set out to transform Japan’s future. As SG Tavern continues to evolve, it showcases the possibilities that emerge when history and creativity come together. “We have a lot of space for ‘What ifs.’ Our tavern is based on history, but there’s room for creativity in the gaps of the story,” Gokan says. “We research history, but we also create within it.” The tavern’s story is far from complete, and with each new chapter, the possibilities for deeper cultural connections and Gokan’s creative innovation continue to unfold.

Editorial profile was written and photographed for Travel + Leisure Asia (2025).


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Four Seasons | Commercial Food Photographer in Japan

October 06, 2024 in Commercial Photography

As I stepped into the Four Seasons Otemachi's elegant dining room, the panoramic views of Tokyo's bustling skyline stopped me in my tracks. The view, paired with the hotel’s food offerings, makes the Four Seasons Otemachi a destination itself. I could have admired the view all day, but there was work to do. I was at the Four Seasons to photograph the hotel's contemporary interpretations of global classics. As a Tokyo-based photographer, I was excited for the opportunity to capture the essence of each dish and felt lucky to have the Four Seasons as my office for the day.

The Four Seasons Otemachi's menu was a carefully crafted collection of dishes that showcased the finest seasonal ingredients sourced from local markets and farms. Each dish was presented with immaculate attention to detail, reflecting the Japanese culture's deep respect for food and its preparation. As a food photographer in Tokyo, my task was to capture and convey each dish’s visual appeal and the artistry that went into its creation.

But it wasn't just the holiday-inspired cuisine that was a feast for the senses. The hotel's talented mixologists had crafted a range of signature cocktails, each as beautiful and unique as the dishes on the menu. I had the privilege of photographing these drinks as well, capturing the delicate balance of flavors and presentation that made each cocktail a work of art in its own right.

As I worked my way through the menu, photographing each dish and cocktail, I was struck by the dedication and care that went into each offering. From the freshest ingredients to the precise plating and the attention to detail in the presentation, it was clear that this was the Four Seasons’ goal to ensure their food and beverage brands were second to none in Tokyo.

As the project came to a close, I felt a sense of satisfaction in having captured the beauty and complexity of the Four Seasons Otemachi's menu. It was a true privilege to be able to showcase these dishes and cocktails through my lens, and I left the hotel feeling inspired by the talent and passion of the chefs and mixologists who had crafted them.

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Contact me directly to start a conversation about your food photography project in Tokyo or beyond.


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Kyoto, Japan zen garden during autumn.

Kyoto's Zen Gardens

October 03, 2024 in Travel Photography

During the final months of World War II, most urban areas in Japan were heavily bombed by the United States Air Force. Kyoto, however, remained largely untouched, making it a potential target for a nuclear attack. Despite this, Secretary of War Henry Stimson successfully convinced President Truman to remove Kyoto from the list of nuclear targets, sparing the city from destruction. While scholars debate Stimson’s motives—offering moralist, orthodox, and revisionist interpretations—the result was the preservation of Kyoto, Japan’s cultural capital.

Today, Kyoto is a magnet for tourists, who flock to its temples and cultural landmarks in awe of its beauty. Despite the issue of over-tourism, Kyoto provides moments of peace through its iconic dry gardens, or karesansui. Rooted in Zen traditions, these meticulously designed spaces offer visitors a glimpse into Japanese aesthetics and spirituality. The experience of exploring Kyoto's dry gardens is not just about appreciating their beauty; it’s a journey of self-reflection.

As a photographer based in Japan, I have visited Kyoto countless times for various publications. However, I had never been tasked with capturing the essence of these Zen gardens, often overlooked by the hordes of tourists on Honshu's well-trodden path. So, when The New York Times entrusted me with photographing Kyoto’s dry gardens and their caretakers for a travel editorial, I felt deeply honored to showcase these timeless spaces to a broader audience.

Kyoto's dry gardens date back to the Muromachi period, when Zen Buddhism played a significant role in shaping Japanese culture. These gardens, embodying Zen principles, emphasize harmony and impermanence with their minimalist designs. Using only essential elements like rocks and gravel, they invite visitors to enter a space of contemplation and ancient wisdom.

At the heart of these gardens is the Zen belief that simplicity can lead to enlightenment. Their serene, unadorned beauty captures the transient nature of life, encouraging visitors to find peace in the present moment. Walking through the gravel and stone paths allows one to let go of worldly concerns and appreciate the profound beauty of simplicity.

While Kyoto's dry gardens stand out for their historical and aesthetic significance, their meaning and symbology seeps beyond the surface of their appearance. The garden at Ryoan-ji Temple, with its arrangement of fifteen stones set in white gravel, fascinates visitors and inspires introspection. Similarly, Daisen-in Temple’s "Sea of Suffering" garden reflects the human condition and the path to enlightenment. Regardless of their gestalt nature, each element of Kyoto’s dry gardens holds symbolic meaning. Rocks represent mountains, islands, or spiritual beings, while raked gravel symbolizes water or waves, reflecting the cyclical nature of life. Together, they form a harmonious scene that invites deep contemplation on life’s mysteries.

Amid Kyoto’s bustling cityscape, its dry gardens remain oases of peace and reflection. These spaces blend beauty with spirituality, simplicity and wisdom. Here, visitors are invited to explore the deeper aspects of existence, not just take selfies.

Read the full piece in The New York Times here.


couple at Kyoto rock garden in traditional clothing
Visitor enters a dry garden in Kyoto, Japan
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Entrance to a Kyoto dry garden
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Hideaki Itsuno | Japan Portrait Photographer

June 20, 2024 in Editorial Photography

Would I be interested in traveling to Osaka to photograph Hideaki Itsuno for The New York Times? A slight chuckle escaped me as I reread the the email. Typically, I let photography assignments linger in my inbox for a couple of hours before responding (It's important to ensure I'm the right fit for the task before communicating with an editor or commissioning director). Yet, as a portrait photographer based in Japan, this was an opportunity to photograph a legend. This request warranted an immediate reply; as a gamer myself, it was a unique opportunity I couldn't pass.

Hideaki Itsuno, a distinguished Japanese video game director and designer, has left an indelible mark on Capcom. Renowned for his contributions to action games, his career boasts numerous iconic titles that showcase his distinct style and profound grasp of game mechanics. Throughout his journey, Itsuno has been celebrated for his innovative approach to established genres, crafting games that seamlessly blend challenging gameplay, compelling narratives, and unforgettable characters.

Itsuno's directorial prowess first gained attention with Street Fighter Alpha in 1995, where he made significant strides in the fighting game genre. However, it was with the Devil May Cry series that Itsuno garnered global recognition for his contributions. This series, characterized by its distinct, dark, stylish aesthetic and intricate combat mechanics, established him as an icon within Capcom. Key entries like Devil May Cry 3: Dante's Awakening (2005) set new standards in gameplay and storytelling for action games, influencing the genre for years to come.

However, Itsuno's tenure at Capcom isn’t solely defined by the Devil May Cry series. He also directed "Dragon's Dogma," showcasing his talent for expansive worlds and engaging gameplay systems. It was the impending release of the Dragon’s Dogma sequel that brought me to Osaka for The New York Times. With Dragon’s Dogma 2 on the horizon, I was granted the opportunity to spend an hour with the legendary game maker, capturing portraits and gaining firsthand insights into what awaited me as both a gamer at Hideaki Itsuno fan. Even if it was only a single day of work as a photographer in Japan, it was a dream assignment—a perfect intersection of my passions.

Read the full piece directly from The New York Times.

Hideaki Itsuno at Capcom Headquarters in Osaka, Japan
Hideaki Itsuno at Capcom Headquarters in Osaka, Japan
Hideaki Itsuno at Capcom Headquarters in Osaka, Japan
Hideaki Itsuno at Capcom Headquarters in Osaka, Japan
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.
 Portrait of Hideaki Itsuno outside of Capcom Headquarters in Osaka, Japan.

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Mikimoto akoya pearls

Mikimoto Pearls | Japan Editorial Photographer

June 17, 2024 in Editorial Photography, Brand Narrative

In the heart of Japan the tranquil waters of Ago Bay lap against the shore. Here a harmony between tradition and innovation flourishes. In a space where art intersects with nature, a sacred dance between man and mollusk yields one of the most coveted treasures of the sea: the Mikimoto Akoya pearl. My editorial assignment from The New York Times was to photograph the cultivation process and the tradition of one of the world’s most iconic pieces of jewelry.

Kokichi Mikimoto, the pioneer of cultured pearls, discovered a secret hidden in the oyster beds. In the late 1800’s, Mikimoto achieved an alchemy of sorts, a process that would transform a mere grain of sand into a shimmering orb. With reverence for nature's wisdom and a desire to bring beauty to the world, Mikimoto discovery would eventually change the landscape of the jewelry industry.

130 years later artisans, much like Zen masters, continue Mikimoto’s work. Using a precise process called grafting, craftsmen carefully insert a tiny piece of tissue into a living oyster, prompting the oyster to coat it in layers of nacre over several years. Patience is key in this process, reflecting both Mikimoto’s attitude as well as the Japanese spirit. Each pearl grows slowly over years, and it is this respect for time gives Mikimoto pearls their unique elegance.

During my time at Mikimoto’s Pearl Farm, I was able to learn about and photograph the entire process of a pearl. More, I was able make portraits of the scientists and artisans responsible for cultivating the brand’s signature pieces. But it wasn’t until the very end of my day as an editorial photographer that I found a deeper significance in my subject.

Holding several pearls in my hand, I could see how the Akoya pearl’s luminescence mirrored the calm of the nearby Ago Bay. Rolling a small specimen in my palm, I realized that Mikimoto pearls are more than serene jewels; they symbolize a collaboration between humans and nature. The pearls reminded me of the rewards of patience and respect for nature's beauty. By cultivating these gems, Mikimoto highlights our connection to the natural world and encourages a more harmonious relationship with it.

In a world focused on instant gratification and mass production, Mikimoto’s process shows that true beauty takes time, dedication, and an understanding of nature's rhythms. As technology advances rapidly, the cultivation of Akoya pearls will continue to showcase the timeless appeal of natural art and the magic of human touch.

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Read the full feature in The New York Times here.

Lead image of Mikimoto pearl cultivation on The New York Times

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Postcard | NY, New York

May 16, 2024 in Travel Photography

The rain came down, adding to what was already a melancholy morning. I hopped on a ferry bound for the Statue of Liberty. The boat bounced across the harbor, choppy waters sloshing against its slides. From the deck, I peered at the statue through a veil of rain. She stood solitary, enigmatic against the backdrop of the city.

As the ferry drew nearer, I found myself grappling with conflicting emotions. The iconic monument, once a symbol of freedom and hope, seemed to embody a sense of ambiguity and disillusionment. Lady Liberty appeared to feel distant and inscrutable, her original message shrouded in both rain and uncertainty.

The ferry continued, carrying me away from the statue. Still, I couldn't shake the doubts in my mind. Had the promise of freedom, once so boldly proclaimed, completely shriveled?

In the rain-swept harbor, I found myself questioning the idea of liberty itself. Is it a facade, a relic of a bygone era? Does the idea still hold the power to inspire and uplift? The iconic symbol became increasingly obscured by the rain and clouds and I was left with nothing but questions about the complexities of freedom in our uncertain world.


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Japanese Koshu | Tokyo Editorial Photographer

May 14, 2023 in Editorial Photography

The Koshu Valley is a verdant and peaceful landscape that exudes the essence of Japanese aesthetics. Though close to Tokyo, the Koshu landscape is nestled amidst rolling hills and towering mountains. It is here, within this lush valley that we find the home of the Koshu grape, the foundation of the Koshu wine and, perhaps, Japan's best-kept secret.

Arriving in the city of Katsunuma in the early morning, I was struck by the area’s environmental beauty and was grateful that my travel photography assignment for Hemispheres, United Airlines’ inflight magazine, had taken me to such a calm and serene place.

The mountains of Yamanashi Prefecture shield the valley from harsh winds and inclement weather, fostering a microclimate that is perfect for cultivating grapes. The soil is also ideal for grape cultivation, delivering the right blend of minerals and nutrients. The Koshu grape is delicate but adaptable. The grape's thin skin renders it vulnerable to damage, but its thick skin protects it from the valley's abrupt weather changes and harsh climate. The grape is harvested by hand, painstakingly selected, and then transported to the wineries to guarantee that the wine produced is of the highest caliber.

The vineyards in the Koshu Valley are a sight of their own. Rows of grapevines stretch out as far as the eye can see, arranged in perfect harmony with the natural contours of the land. The vineyards are carefully tended, with each grapevine trimmed and trained to optimize its yield and flavor.

The wineries in the Koshu Valley are an integral element of the landscape, ingrained with the valley's natural environment. They are designed in accordance with traditional Japanese architectural styles and materials, blending harmoniously into the surrounding countryside. The wineries provide visitors with a wide range of experiences, from tours of the vineyards to tastings of the different varieties of Koshu wine.

The Koshu Valley is an idyllic and scenic landscape that epitomizes the Japanese aesthetic. The valley's vineyards, wineries, and natural wonders all merge flawlessly into the landscape, establishing a harmonious and balanced environment. Visiting the Koshu Valley is a chance to immerse oneself in the beauty of Japan, savor the delicate and elegant Koshu wine, and embrace the natural wonders of the valley.

Want to learn more about Japanese koshu? Read the full article here.

Aerial view of a gentle stream in the Koshu Valley (Katsunuma, Japan).
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Katsunuma Jozo Winery Koshu barrels.

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Andrew Faulk

Tokyo photographer Andrew Faulk offers commercial, editorial, portrait, and brand narrative photography services. Though based in Japan, Andrew is available for photography commissions worldwide. He is a father, husband, educator, and makes the best mashed potatoes in the world.